Las óleos de todo Claude Lorrain

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Painting (From A to Z)

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22225

Landscape with Psyche at the Palace of Cupid (mk17)

c 1664 Oil on canvas.National Gallery,London 88.5 x 152.7 cm

40510

Landscape with Psyche outside the Palace of Cupid

mk156 1664 Oil on canvas 87.1x151.3cm

6085

Landscape with Rest in Flight to Egypt fg

1647 Oil on canvas, 102 x 134 cm Gemäldegalerie, Dresden

22197

Landscape with Sheep (mk17)

1648 Brush and pen drawing The Metropolitan Museum of Art,Robert Lehman collection??New York 18.1 x 26.4 cm

6077

Landscape with Shepherds The Pont Molle fgh

1645 Oil on canvas, 74 x 97 cm City Art Gallery, Birmingham

29495

Landscape with Shepherds - The Pont Molle

1645 Oil on canvas, 74 x 97 cm

6081

Landscape with Shepherds fdg

1645-46 Oil on canvas, 68,8 x 91 cm Museum of Fine Arts, Budapest

22240

Landscape with St Onofrio (mk17)

C 1635 Oil on canvas Museo del Prado,Madrid 158 x 237 cm

2589

Landscape with the Embarkation of Saint Paula Romana at Ostia

1639 Museo del Prado, Madrid

2588

Landscape with the Finding of Moses

1638 Museo del Prado, Madrid

6066

Landscape with the Finding of Moses sdfg

7-39 Oil on canvas, 209 x 138 cm Museo del Prado, Madrid

2582

Landscape with the Marriage of Isaac and Rebekah

1648 National Gallery, London

56076

landscape with the marriage of lsaac and rebecca

mk247 1648,oil on canvas,60x79 in,152.3x200.6 cm,national gallery,london,uk

51185

Landscape with the Rest on the Flight into Egypt

1666 Oil on canvas, 113 x 157cm

63833

Landscape with the Rest on the Flight into Egypt

1666 Oil on canvas The Hermitage, St. PetersburgArtist:CLAUDE LORRAIN Title: Landscape with the Rest on the Flight into Egypt (detail) Painted in 1651-1700 , French - - painting : religious

28744

Landscape with the Temptations of St.Anthony Abbot

mk61 Oil on canvas 159x239cm

22209

Landscape with Tobias and the Angel (mk17)

1663 Pen drawing and ink wash on chalk underdrawing.Staatliche Graphische Sammlung,Munich 24.7 x 34.1 cm

88712

Landschaft mit Apollo und Merkur

c. 1645(1645) Medium Oil on canvas Dimensions 55 x 45 cm cjr

93611

Landschaft mit Apollo, den Musen und einem Flubgott

1652(1652) Landschaft mit Apollo, den Musen und einem Flußgott Medium oil on canvas Dimensions Deutsch: 185 x 290 cm cjr

89518

Landschaft mit der Nymphe Egeria und Konig Numa

1669(1669) Medium oil on canvas Dimensions Deutsch: 155 x 199 cm cjr

89346

Landschaft mit Ziegenhirt

1637(1637) Medium oil on canvas Dimensions 51,5 x 41,3 cm cjr

86044

Landung der Kleopatra in Tarsos

Date 1642(1642) Medium Oil on canvas Dimensions Deutsch: 117 x 148 cm cjr

56518

lenbskap med nymfen egeria

mk248 en av claudes senare ocb storta malningar visar egeria som sorjer sin dode make, kungen av rom. sorg ocb trost ar de teman som genomstrar bilden genom ett val sammanballet fargscbema som ocergar fran morker till ljus. detypisla inslagen i en landskapsmalning av claude forenas bar av ett milt ljus som strommar mot askadaren,varsmt blick varsamt leds kring en serie sma poetila vinjetter.

6072

Marine with the Trojans Burning their Boats dfg

1643 Oil on canvas, 105 x 152 cm Metropolitan Museum of Art, New York

28486

Morning

mk60 1666 Oil on canvas 44 1/2x62"

29234

Morning

mk65 Oil on canvas 44 1/2x62"

30578

Morning in the Harbor

mk68 Oil on canvas Saint Petersburg, State Hermitage Museum c.1649 France

41051

Morning in the Harbour

mk159 c.1649 Oil on canvas 97.5x120cm

55729

Moses Rescued from the Waters

mk244 c.1639/40 Oil on canvas 209x138cm

22188

Mount Soratte (mk17)

1640 Chalk drawing and ink Wash;sketch in sanguine British Museum,London 20 x 33.1 cm

29109

Night

mk65 1672 Oil on canvas 45 1/2x63"

22228

Nocturnal Landscape with Jacob and the Angel (mk17)

1672 Oil on canvas.The Hermitage Museum,St Petersburg 116 x 159 cm

28359

Noon

mk60 1651 or 1661 Oil on canvas 44 1/2x62"

86786

Ostermorgen

Date 1681(1681) Medium Oil on canvas Dimensions 83 x 139 cm cjr

98189

Paisaje de un puerto

circa 1633(1633) Medium oil on canvas Dimensions 97.5 x 130.8 cm cyf

92677

Pastoral Landscape

Date c. 1636-7 Source Art Gallery of New South Wales TTD

96133

Pastoral Landscape

1677(1677) Medium oil on canvas cyf

96544

Pastoral Landscape

oil on canvas Dimensions 40.375 X 52.25 in cyf

22192

Pastoral Landscape (mk17)

c 1645 Chalk drawing and ink wash Courtauld Institute,London 20.1 x 28.7 cm

22193

Pastoral Landscape (mk17)

1640/45 Chalk and brush drawing.Private collection,New York.21.5 x 31.2 cm

22222

Pastoral Landscape with Piping Shepherd (mk17)

c 1635 Oil on canvas.Musee des Beaux-Arts,Nancy 49 x 39 cm

22220

Perseus and the Origin of Coral (mk17)

1674 Pen drawing and wash Heightened with white The Metropolitan Museum of Art,New York 24.8 x 38 cm

22232

Port of Ostia with the Embarkation of St Paula (mk17)

1639/40 Oil on canvas Museo del Prado,Madrid 211 x 145 cm

6080

Port Scene with the Departure of Ulysses from the Land of the Feaci fdg

1646 Oil on canvas, 119 x 150 cm Mus??e du Louvre, Paris

66706

Port Scene with the Embarkation of St Ursula

Oil on canvas 113 ?? 149 cm (44.49 ?? 58.66 in) 1641

70344

Port Scene with the Embarkation of St Ursula

Medium Oil on canvas Dimensions 113 X 149 cm

6068

Port Scene with the Embarkation of St Ursula fgh

1641 Oil on canvas, 113 x 149 cm National Gallery, London

6065

Port Scene with the Villa Medici dfg

1637 Oil on canvas, 102 x 133 cm Galleria degli Uffizi, Florence

22244

Port with the Ville Medici (mk17)

Oil on canvas,40 3/16 x 52 3/8 in (102 x 133 cm) Signed and dated;Romae 1637 CLA

2585

Port with Villa Medici

1637 Galleria degli Uffizi, Florence

22213

Rest on the Flight into Egypt (mk17)

Pen drawing and wash.Kupferstichkabinett,Staatliche Museen,Berlin 17.4 x 23.5 cm

22233

Rest on the Flight into Egypt (mk17)

1663 Oil on canvas.Thyssen-Bornemisza Collection,Madrid 193 x 147 cm

22184

River View with Trees (mk17)

1635/40 Brush drawing,heightened with white Museum of Fine Arts,Boston 32.8 x 21.8 cm

22174

Rome with St Peter's (mk17)

1646 Brush drawing.British Museum,London 21.2 x 31.4 cm

2581

Seaport : The Embarkation of St.Ursula

1641 National Gallery, London

33606

Seaport at Sunrise

mk86 1674 Oil on canvas 72x96cm Munich,Bayerisch Staatsgemalde-sammlungen Alte Pinakothek

55766

Seaport at Sunrise

mk244 Oil on canvs 72x96cm

21583

Seaport at Sunrise (mk08)

1674 Oil on canvas 72x96cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

2587

Seaport at Sunset

1639 Musee du Louvre, Paris

22241

Seaport at Sunset (mk17)

1639 Canvas,40 1/2 x 54''(103 x 137 cm)Given to Louis XIV by Andre Le Notre in 1693 .INV 4715(G/AR)

33115

Seaport with the embarkation of Saint Ursula

mk82 1641 Oil on canvas 48.6x113.0cm National Gallery London

51360

Seaport with the Embarkation of Saint Ursula

mk218 1641 Oil on canvas 113x149cm

85132

Seaport with the Embarkation of Saint Ursula

Date 1641(1641) Medium Oil on canvas Dimensions 113 x 149 cm

43228

Seaport with the Embarkation of the Queen of Sheba

mk170 1648 Oil on canvas 148.6x193.7cm

68804

seaport with the embarkation of the queen of sheba

1648 oil on canvas 148.6x193.7cm se

6086

Seaport with the Embarkation of the Queen of Sheba df

1648 Oil on canvas, 148 x 194 cm National Gallery, London

22204

Seated Woman and Plants (mk17)

1665/70 Pen on chalk underdrawing.Statens Museum for Kunst,Copenhagen 16 x 22.2 cm

66228

Seehafen beim Aufgang der Sonne

2nd third of 17th century 72 x 97 cm (28.35 x 38.19 in)

70286

Seehafen beim Aufgang der Sonne

Medium Oil on canvas Dimensions 72 X 97 cm

22198

Sermon on the Mount (mk17)

c 1655 Brush drawing,heightened with white British Museum,London 29.6 x 42.2 cm

22172

St Peter's (mk17)

1630/35 Pen drawing and wash.Teylers Museum,Haarlem

22173

St Peter's,Rome (mk17)

1640/41 Chalk drawing and ink wash.British Museum,London

22185

Sunset Sketchbook (mk17)

fol 4v Pen and ink.Statens Konstmuseet,Stockholm 18.5 x 12.9 cm

6064

The Campo Vaccino, Rome dfg

Oil on canvas, 56 x 72 cm Mus??e du Louvre, Paris

2591

The Departure of Hagar and Ishmael

1668 Pinakothek, Munich

2586

The Disembarkation of Cleopatra at Tarsus

1642 Musee du Louvre, Paris

87582

The Disembarkation of Cleopatra at Tarsus

Date between 1642(1642) and 1643(1643) Dimensions Height: 119 cm (46.9 in). Width: 170 cm (66.9 in). cjr

6069

The Disembarkation of Cleopatra at Tarsus dfg

1642-43 Oil on canvas, 119 x 170 cm Mus??e du Louvre, Paris

97899

The Embarkation of St Paula in Ostia

Oil on canvas Dimensions 211 x 145 cm cyf

87930

The Embarkation of the Queen of Sheba

Date 1648(1648) Medium Oil on canvas Dimensions Deutsch: 149 x 194 cm cjr

29503

The Expulsion of Hagar

1668 Oil on canvas, 107 x 140 cm

40512

The Expulsion of Hagar

mk156 1668 Oil on canvas 106.4x140cm

22224

The Finding of the Infant Moses (mk17)

1639/40 Oil on canvas.Museo del Prado,Madrid 209 x 138 cm

29058

The Harbor of Baiae with Apollo and the Cumaean Sibyl

mk65 1650s Oil on canvas 39x49"

22206

The Journey to Emmaus (mk17)

1660 Chalk drawing and ink wash,heightened with white British Museum,London 18.7 x 29.2 cm

83311

The Judgement of Paris

1645-1646 Medium Oil on canvas cyf

2594

The Judgment of Paris

1645-46 National Gallery of Art, Washington DC

75955

The Judgment of Paris

The Judgment of Paris, oil on canvas painting by Claude Lorrain, 1645-1646, National Gallery of Art, Washington cjr

77767

The Judgment of Paris

oil on canvas painting by Claude Lorrain, 1645-1646, National Gallery of Art, Washington Date 1645-6 cyf

6089

The Punishment of Midas

c. 1620 Copper, 43 x 62 cm Rijksmuseum, Amsterdam

6088

The Rape of Europa sd

1655 Oil on canvas, 100 x 137 cm Pushkin Museum, Moscow

2590

The Rest on the Flight into Egypt

1651 The Hermitage, St.Petersburg

31781

The Sermon on the mount

mk76 Painted in 1656 Oil on canvas 67 1/2x102 1/4in

22236

The Sermon on the Mount (mk17)

1656 Oil on canvas.The Frick Collection,New York 171.4 x 259.7 cm

96149

The Trojan Women Set Fire to their Fleet

ca. 1643 Medium Oil on canvas Dimensions 41 3/8 x 59 7/8 in cyf

2584

The Trojan Women Setting Fire to their Fleet

Metropolitan Museum of Art, New York

22186

Trees (mk17)

c 1640 Chalk drawing and ink Wash Graphische Sammlung Albertina,Vienna 26.3 x 19.5 cm

22210

Trees,Figures,and sheep (mk17)

1660/65 Pen drawing and wash.Teylers Museum,Haarlem 40 x 24.8 cm

22180

Two Boats (mk17)

1635/50 Chalk drawing and ink wash.British Museum,London

22189

Two Female Figures (mk17)

1640/50 Pen drawing and Wash,heightened with white National Gallery of Art,Washington 16.6 x 13.3 cm

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Claude Lorrain

French 1600-1682 Claude Lorrain Galleries In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition. In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography. Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart"

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